The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “Tell the other women,” he said. “Open their eyes. Tell them of their sons that you have seen dead and dying in the foolish quarrel for which there was no need. Tell them of the foulness, of the cruelty, of the senselessness of it all. Set the women against War. That is the only way to end it.”!

She met Carleton by chance a day or two later, as she was entering the office. “I want to see you,” he said; and took her up with him into his room. The atmosphere was becoming tragic. Joan felt the need of escaping from it. She sprang up.

“I shouldn’t have recognized you,” laughed Joan. “What was the occasion?” Mr. Airlie, picking daintily at his food, continued his stories: of philanthropists who paid starvation wages: of feminists who were a holy terror to their women folk: of socialists who travelled first-class and spent their winters in Egypt or Monaco: of stern critics of public morals who preferred the society of youthful affinities to the continued company of elderly wives: of poets who wrote divinely about babies’ feet and whose children hated them. The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.”